The Weight of the Stone

You know that I careWhat happens to youAnd I know that you careFor me too
So, I don’t feel alone on the weight of the stoneNow that I’ve found somewhere safe to bury my boneAnd any fool knows a dog needs a homeA shelter from pigs on the wing
— Pink Floyd, Pigs on the Wing
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Restless Souls

 

The room is dimly lit, with the only source of illumination being a flickering, bare bulb hanging from the ceiling. The air is thick with the smell of stale cigarette smoke, lingering from countless previous guests. The faded floral wallpaper peels at the corners, revealing the passage of time.

In one corner of the room stands a worn-out bed with a faded floral bedspread that has seen better days. The mattress sags in the middle, leaving an imprint of the countless restless souls who have rested there. A single, dim bedside lamp with a frayed shade casts long shadows across the cracked nightstand, where an ashtray overflows with cigarette butts.

Against the opposite wall, a big, clunky television sits atop a scratched wooden dresser. The TV screen emits a constant flicker of white noise, the grainy static providing a disconcerting soundtrack to the room’s eerie atmosphere. The dresser itself is adorned with chipped paint, and its drawers squeak with protest when pulled open.

A single, threadbare armchair sits near the window, its upholstery worn thin from years of use. The heavy, moth-eaten drapes are drawn shut, allowing only thin streaks of muted streetlight to filter through the accumulated grime. The room feels frozen in time, a forgotten relic from a bygone era.

As you step further into the room, the floor creaks beneath your weight, and the silence is broken only by the distant hum of city life outside. It’s a place where secrets linger in the shadows and the air is heavy with the ghosts of the past,

 

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Slipping

Nothing is more painful, more frightening than thinking that slips away from itself than fleeting thoughts that, barely conceived, disappear again, already gnawed by forgetting or rushing into others that we have just as little control over… We constantly lose our thoughts. That’s why we cling so doggedly to established opinions.

— Gilles Deleuze

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CPY

Art is, in a way, creating something out of nothing. But photography, in its very essence, does not create something from nothing, it is a device for copying existing images.

Then why not start from this assumption of copying, so we can get closer to the essence of a photograph. It has no meaning to create art work by one’s own aesthetic and concepts, however, when people take photos, one’s aesthetic and memory are always included. This is a kind of everlasting contradiction. This contradiction is acceptable.

The world is not only one world, but the world itself is scattered, we just copy these scattered worlds by using photography.

— Daido Moriyama, Near Equal

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