Not Too Bright, Not Too Dark



Valencia, April 2015

18% grey. This is what you’re camera is trying to achieve when you put it into any sort of automatic mode. Does not matter if it’s aperture, shutter-speed, if ISO is fixed or you allow it to float: The camera will always strive for something in the middle, not too bright, not too dark.

How do you think can something interesting come out of this? How many guys you met that were lukewarm actually managed to keep your interest for more than 2 minutes? Good looking, yes, maybe, but boring nevertheless. Not too many things, that are not too much of anything, too much darkness, too much light, way too fast or grinded to a screeching halt – nothing that is in the middle of everything ever came out interesting. And still, you tell your camera to do just that: Start something interesting with 18% grey. How’s that gonna work out?

Instead be brave, be bold, don’t shy away from underexposed pictures, blurry shadows, outblown highlights: Images can be faulty, as your vision is faulty, imperfect too. The emotion lurks in the shadow, love has to burn into you, pain is too dark to be bearable… And get out of automatic, damn.

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